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General Description The Shure ® KSM141 is a premium, end-address, condenser microphone with a unique rotating collar that allows for easy switching between a highly consistent cardioid or true omnidirectional polar pattern. This microphone can be purchased as a stereo pair (KSM141/SL STEREO). To reduce the pickup of unwanted low-frequency mechanical vibrations, use an isolating shock mount. We're sorry, but this item is unavailable. Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Low frequency rolloff. The Shure KSM141 is jam-packed with the pro-level features you’d expect from a microphone of this caliber. When this pattern is selected, the microphone picks up sounds directly in front of the microphone and is least sensitive to those in back. This is the most commonly used pattern in studio recording and live-sound applications. The following table displays the most common stereo techniques. PAG/NAG is a concept that can be used to determine if a sound reinforcement system can produce enough gain to provide an optimal listening experience before causing feedback. Subsonic filter eliminates low-frequency rumble (less than 17 Hz) caused by mechanical vibration. Helps eliminate floor rumble and low-frequency room noise from heating and air conditioning systems. The image of the desired polar pattern should be directly above the notch at the base of the ring. To select either the cardioid or omnidirectional polar pattern, rotate the knurled ring on the microphone in either direction until you feel a detent. Microphone use, however, is a matter of personal taste. WARNING: Cancer and Reproductive Harm www.P65warnings.ca.gov open_in_new. Note: Sound quality is strongly affected by microphone location and room acoustics. The KSM141 may be used for a variety of applications other than those listed. Maximum SPL capability, output clipping level, and dynamic range vary with the input load impedance of the preamplifier to which you connect the microphone. Flat, –6 dB/octave below 115 Hz, or –18 dB/octave below 80 Hz, Three-pin professional audio (XLR), male, balanced, Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3, 11–52 V DC [4]phantom power (IEC-61938) 4.7 mA, maximum, [2]THD of microphone preamplifier when applied input signal level is equivalent to cartridge output at specified SPL, [3]S/N ratio is the difference between 94 dB SPL and equivalent SPL of self noise, A-weighted. Three-position attenuation switch (0 dB, 15 dB, and 25 dB) for handling extremely high SPLs. −25 dB For use with in close proximity (less than 10 cm) to extremely loud sound sources such as drums, horns, or loud guitar cabinets. “SHOCKSTOPPER” is a trademark of Shure Incorporated in the United States. Its low self-noise and extended frequency response make it ideal for recording musical instruments. Turn down any loudspeakers or mute the microphone at the mixing console before changing the polar pattern. The KSM141 is a dual-pattern end-addressed condenser microphone with a rotating collar, allowing easy switching between a consistent cardioid or true omnidirectional polar pattern for smooth and extremely focused sound reproduction. Shure recommends a minimum input load impedance of 1000 Ω. “Mylar” is a registered trademark of E.I. Ultra-thin, 2.5 μm 24-karat gold-layered, low-mass Mylar. Caution: Rotating the polar pattern switch produces mechanical noise which, when amplified, may damage the loudspeakers. Provides a 6 dB-per-octave rolloff filter at 115 Hz. Download PDF All specifications measured with a 48 Vdc phantom power supply. The KSM141 is a dual-pattern end-addressed condenser microphone with a rotating collar, allowing easy switching between a consistent cardioid or true omnidirectional polar pattern for smooth and extremely focused sound reproduction. Most modern mixers provide phantom power. Most modern microphone preamplifiers meet this requirement. Low frequency cutoff. Use the 45 degree reference marks at the top of the knob to set the desired angle. Some typical applications for the KSM141 are listed below. The omnidirectional polar pattern exhibits no proximity effect. The Shure® KSM141 is a premium, end-address, condenser microphone with a unique rotating collar that allows for easy switching between a highly consistent cardioid or true omnidirectional polar pattern. Its low self-noise and extended frequency response make it ideal for recording musical instruments. Provides an 18 dB-per-octave cutoff at 80 Hz. For more information, search “Stereo Techniques” at www.shure.com (www.shure.com/stereo-tech). THD of microphone preamplifier when applied input signal level is equivalent to cartridge output at specified SPL, S/N ratio is the difference between 94 dB SPL and equivalent SPL of self noise, A-weighted. Keep in mind that microphone technique is largely a matter of personal taste; there is no one “correct” microphone position. Higher impedance results in better performance for these specifications. Provides flexibility in a wide variety of recording applications, Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar, Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion, Premium electronic components, including gold-plated internal and external connectors, Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration, Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs), Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect, Exceptional reproduction of low-frequency sounds, Can withstand high sound pressure levels (SPL), Superior common mode rejection and suppression of radio frequency interference, Acoustic instruments -- such as piano, guitar, drums, percussion, strings, Low frequency instruments -- such as double bass, electric bass, kick drum, Room ambiance pick-up -- guitar amplifier or drums, 1 - A141C Case, 1 - A100WS Windscreen, 1 - A57F Microphone Clip, 1 - A141SPC Case, 2 - A100WS Windscreen, 2 - A57F Microphone Clip, 1 - A27M Stereo Microphone Adapter. Carrying Case for two KSM137 or KSM141 microphones and A27M stereo bar, Microphone Clip for AMS26, BETA181, KSM137, KSM141, MX412, MX418, MX412S, MX418S, MX412SE, MX418SE, SM62, SM63, SM63L, SM63LB, SM81, VP64, VP64A, VP64AL and standard microphone stands, Isolation Mount/Swivel Adapter for KSM109, KSM137, KSM141, SM63, SM81, SM94 and VP64, Popper Stopper® Pop Filter with Metal Gooseneck and Microphone Stand Clamp. Is is nearly identical to Shure’s KSM137, which has a fixed cardioid pattern. The CE Declaration of Conformity can be obtained from: www.shure.com/europe/compliance, Headquarters Europe, Middle East & Africa. A versatile, durable, and precise single cardioid polar pattern instrument microphone. Use the supplied microphone mount with floor or boom stands. −15 dB For use with extremely loud sound sources such as drums, horns, or loud guitar cabinets. To achieve the best overall sound for a particular application, it may be necessary to experiment with microphone placement and room treatments. You must use a balanced microphone cable: XLR-to-XLR or XLR-to-TRS. This microphone requires phantom power and performs best with a 48 Vdc supply (IEC-61938). Shure KSM141 Multi-Pattern Pencil Condenser Microphone The Shure KSM141 is an end-addressed electret condenser microphone with a medium diaphragm and mechanically switched pattern control. The microphone operates at lower voltages, but with slightly decreased headroom and sensitivity. State of California regulation. A mechanical polar pattern switch toggles between a highly consistent cardioid and true omnidirectional polar patterns, making this mic perfect for a myriad of applications. Use the low-frequency filter to reduce wind noise, room noise, or proximity effect. Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and inter-modulation distortion. Use this to compensate for proximity effect or to reduce low frequencies that could make an instrument sound dull or muddy. For stereo applications, use the optional Shure A27M Stereo Microphone Adapter. Picks up sounds from all directions. In addition to the standard accessories, the stereo pair includes a stereo stand adapter (A27M) for mounting two microphones on one stand. What are the KSM141's main features? Note: Operating the microphone in a non-detent position (no polar pattern selected) will produce an unpredictable polar pattern and may adversely affect frequency response. This pattern is best for picking up room ambience and for miking several sources, such as an ensemble or multiple singers, simultaneously. Flat response. Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. Complete product documentation, technical support materials, software and firmware, and other tools and resources for all Shure products, in one place. Industry-standard mic renowned for sonic accuracy in stage and studio performances. Submit a ticket directly to Shure Customer Service staff, or reach out via phone or email. This can prevent extremely loud sounds from overloading the microphone circuitry. Three-position low-frequency filter switch reduces stand vibration noise and counteracts proximity effect. This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application. Superior common-mode rejection and suppression of radio frequency interference (RFI), Overhead miking of drums and percussion instruments, Close-miking of acoustic instruments such as piano, guitar, violins, drums, and percussion, Low-frequency instruments such as double bass and kick drum. Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional). 0 dB For "quiet" to "normal" sound levels. Mount on a stand and attach microphones using 5/8"-27 thread stand adapters. Provides the most natural sound in most applications. Omnidirectional. [4]All specifications measured with a 48 Vdc phantom power supply. Designed for studio use, yet rugged enough for live applications, the Shure KSM141 small diaphragm end-addressed condenser microphone can withstand extremely high sound pressure levels (SPL). Premium electronic components, including gold-plated internal and external connectors. 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